Over the past few weeks, I’ve been fortunate to have worked with a crew of stellar artists in putting together the South Asian premiere of Guillermo Calderon’s Villa. It was surreal, not least because the script elegantly tackled some of the self-same issues I grapple with in my academic writing (but people would rather watch a play than read a paper!). I’m especially grateful to Indika Senanayake for putting in a massive effort to bring Calderon and his work to Sri Lanka. After two of the three performances, there was an opportunity for a Q&A with Calderon, one of which included Radhika Coomaraswamy as panellist. The questions (and the answers) were all excellent, so I’ve jotted down some of my notes. Below is the expanded version. Continue reading
theatre
“Blowhards” – a review
“Blowhards: Braggarts, Boasters and Bastards” is the latest in Mind Adventures’ repertoire of thought-provoking theatre, albeit gentler and sparser in its conceptualisation and delivery than many of its predecessors. There are likely many reasons for this. The company’s method of devised theatre relies on the luxury of time and space to craft ideas, playfully improvise upon them, and keep the choicest interactions while brutally discarding the deadwood. However, Mind Adventures is currently in residence at the British Council, and (I believe) is tasked with producing twelve pieces of theatre during the year. With little time to work on content in danger of being jettisoned, they must necessarily follow a model that will allow them to be prolific in their output. The three short plays in “Blowhards”, written and directed by Arun Welandawe-Prematilleke, have none of the ferocious intensity of, say, “Paraya”, but are light-hearted, laugh-out-loud funny satires that play out in the cosy confines of the British Council library. Continue reading