I didn’t really follow the annual Forbes 30 Under 30 so much as accept that my Facebook feed would blow up each January with the news that someone I went to undergrad with had just made the list. I noticed a pattern: they were all hard workers who had also mastered the art of working smartly and in alignment with the right people.
When I started college, I thought Princeton was simply a good way to get a degree sans debt (it was one of the few schools offering need-blind financial aid to international students). It was only once I left that I began to value the connections I’d made entirely by accident, who served as mentors, supporters, and harbingers of further opportunities. Meanwhile, I admired the people on the Forbes list, while regretfully admitting that I would probably never know how to make my work visible in a way that felt right. Continue reading
“Blowhards: Braggarts, Boasters and Bastards” is the latest in Mind Adventures’ repertoire of thought-provoking theatre, albeit gentler and sparser in its conceptualisation and delivery than many of its predecessors. There are likely many reasons for this. The company’s method of devised theatre relies on the luxury of time and space to craft ideas, playfully improvise upon them, and keep the choicest interactions while brutally discarding the deadwood. However, Mind Adventures is currently in residence at the British Council, and (I believe) is tasked with producing twelve pieces of theatre during the year. With little time to work on content in danger of being jettisoned, they must necessarily follow a model that will allow them to be prolific in their output. The three short plays in “Blowhards”, written and directed by Arun Welandawe-Prematilleke, have none of the ferocious intensity of, say, “Paraya”, but are light-hearted, laugh-out-loud funny satires that play out in the cosy confines of the British Council library. Continue reading